The Kodak Tri X is a classic black and white film with a unique grain that will give your pictures a special touch.

As a Super 8 films, they made it as a reversal film so you can process it with the Kodak reversal kit (D-94a, R10, D-95).

It can be used at 160 ISO (3200K) or 200 ISO (Daylight)

The Kodak Ektachrome 100D is a classic color slide film with unique cinema colors and ultra fine grain.

Manufactured for 16mm movie cameras, it should be developed with E6 process. 

It can be used at 100 ISO (Daylight) or 25 ISO (Tungsten with 80A filter)

The Kodak Vision3 200T is a classic color negative film with unique vivid cinema colors and fine grain.

Manufactured for 16mm movie cameras, it should be developed with ECN-2 process. 

It can be used at 200 ISO (3200K) or 125 ISO (Daylight with 85 filter).

The Kodak Vision3 500T is a classic color negative film with unique vivid cinema colors and fine grain.

Manufactured for 16mm movie cameras, it should be developed with ECN-2 process. 

It can be used at 500 ISO (3200K) or 320 ISO (Daylight with 85 filter)

The Kodak Vision3 50D is a classic color negative film with unique vivid cinema colors and fine grain.

Manufactured for 16mm movie cameras, it should be developed with ECN-2 process. 

It can be used at 50 ISO (5500K) or 12 ISO (Tungsten with 80A filter)

The Kodak Vision3 250D is a classic color negative film with unique vivid cinema colors and fine grain.

Manufactured for 16mm movie cameras, it should be developed with ECN-2 process. 

It can be used at 250 ISO (5500K) or 64 ISO (Tungsten with 80A filter)

The Kodak Double-X is legendary black and white cinema film that has been used for production like Raging Bull (1980), Stranger than paradise (1984), Schinder's list (1993) or more recently Kill Bill: Vol 1 (2003), Casino Royale (2006), etc. The Double-X has soft tonality and a pretty fine grain.

Manufactured for 16mm movie cameras, it can be developped with Kodak D-96.

It can be used at 200 ISO (3200K) or 250 ISO (Daylight)