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Kaiser Magnifier is a desk loupe for slide or print film with a 8x magnification.
The Atomal 49 is a black and white film developper in powder for ultra fine grain.
For about 1000ml.
Dilution recommended 1+0 to 1+2
The Adox XT-3 is an universal ecological powder developper for black and white films, a classic from Adox. It holds the same specifications as the X-Tol before 2019.
It has an acid ascorbic base, it's hydroquinone free and without boric acid which makes it an ecological developper.
Adox worked on the storage capacity and improved the technology to prevent inhalation of chemical dusts while mixing.
It gives your films high sharpness and a thin grain. This developper can be normaly and push processed.
Capacity: 10 films
The Adox XT-3 is an universal powder developper for black and white films, a classic from Adox. It holds the same specifications as the X-Tol before 2019.
It has an acid ascorbic base, it's hydroquinone free and without boric acid which makes it an ecological developper.
Adox worked on the storage capacity and improved the technology to prevent inhalation of chemical dusts while mixing.
It gives your films high sharpness and a thin grain. This developper can be normaly and push processed.
Capacity: 50 films
This bag is manufactured to protect your films from the security check that can happen at airports.
Pair of laboratory cotton gloves used by technicians to handle films, papers and other sensitive materials.
The D-76 is an universal powder developper for black and white films, a classic from Kodak. Nearly the same as the famous Ilford ID-11. Adox took the classic formula of this developper and brought it to nowadays standards and norms.
Adox worked on the storage capacity and improved the technology to prevent inhalation of chemical dusts while mixing. It needs lower temperatures thant usual to disolve.
For a global use, it's often associated to the Kodak Tri-X as it offers great results but still very efficient with most of the black and white film on the market.
The D-76 has a high latitude which allows to take advantage of the film sensitivity and deep work on the grey. The grain is fine and the shadows are detailed.
This developper can be normaly and push processed.
Capacity: 10 to 16 films.
The Adox Adofix is a universal liquid fixer for black and white films and papers.
Easy to use, fast process.
You can dilute this powder to make 1L of working solution that allows you to fix 10 B&W films.
Total capacity: 10 films / 2m² papers
The Adox Adofix is a universal liquid fixer for black and white films and papers.
Easy to use, fast process.
The dilution goes from 1+4, 1+7 to 1+9
Total capacity: 100 films / 20m² papers
The Adox Adofix is a universal liquid fixer for black and white films and papers.
Easy to use, fast process.
You can dilute this powder to make 5L of working solution that allows you to fix 50 B&W films.
Total capacity: 50 films / 10m² papers
The Adox Adostop Eco is an universal powder stop bath for black and white films and papers (RC and FB).
Easy to use, fast process. This solution is ecological and can dispose without any precaution.
You can dilute this powder to make 1L of working solution.
Total capacity: 20 films B&W / 3m² paper
The TCS-1000 is a Temperature Control System by Cinestill to mix, heat and control the temperature of your photgraphy chemistries (C41, E6, BW...)
It heats the temperature of a water volume in which you can place your chemistry jugs and your development tank until it reaches the right temperature to start your process.
Temperature can be set from 0C to 95C.
Really simple to use for those who'd like to start developing color films at home.
It also can be used with powder chemistry since the TCS-1000 mixes it perfectly.
The black ring with the two apertures can hold two accordion bottles 1L.
The CPL Polarizing filter is used to soften / suppress any reflections from: glass, windows, water. It also enhance some color's saturation and soften the atmospheric veil.
This filter is mounted on a circular ring that can be turned to graduate the effect.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The Paterson micro focus finder allows you to check your focus under your enlarger before printing your pictures on photo papers.
The Adox film storage allows you to protect all of your negatives films to preserve it.
It accepts A4 storage sheets for 35mm or Film 120.
The CineStill "Dynamic Chrome" D9 developer is used to develop warm-tone dynamic slides.
This kit is part of the the "Chrome Bath" made of 3 baths, this bath is the first one. You need to choose the second one: the "color & reversal" and the third one: "bleaches & fixer".
This developer can be replaced by another Cinestill powder solution: the T6 Tungsten Chrome for cool tones.
Easy processing up to 8-16 rolls or 100ft of slide film.
The kit contains:
1 Dynamic Chrome Developer Solution 1 liter
The infrared filter is used in photography to change the range of light spectrum "seen" by your film.
It should be used with infrared suited films such as: Rollei Infrared, Rollei Retro, Rollei Superpan, Washi Z, Adox HR-50...
The infrared filter isolates a part of the light spectrum that we, humans, don't see: the Infrared light. Some films are sensitive to infrared light. The infrared photo effects are quite unique once used with the good conditions (lot of sunlight, nice clouds on blue sky and nature scene): the green from the greenery will appear white with a "bone" feeling, the sky will look dramatic and very dark.
Here are some precautions you should know before using an infrared film with and infrared filter:
- The infrared light goes through the plastic, so only use metallic cameras.
- The focus isn't the same than classic photography. "Infrared focus" is always closer than the usual. It should be notice on your lenses by a red line or red dot.
- The infrared filter is extremely dark, it will need long exposures that can go up to 20/30 seconds... Bracketing is often recommended.
- Some photo labs doesn't handle infrared films, check it before leaving it for processing.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The CineStill "Color & Reversal Slide Solution" Cr6 allows you to make a reusable solution to reverse 16 rolls already process in the 1st developer bath.
This kit is part of the the "Chrome Bath" made of 3 baths, this bath is the second one. You need to choose the first one: the developer and also the third: "bleaches & fixer".
Easy processing up to 16 rolls or 100ft of slide film.
The kit contains:
One Color & Reversal Bath Part A 8oz
One Color & Reversal Bath Part B 2oz
The green filter is used in black and white photography to change the range of light spectrum '"seen" by your film.
It is suited for panchromatic films.
The green filter lets the green through, it darkens the red and blue. It lightens the green of the greenery. Strongly increase the contrast.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The Paterson kit in an easy-to-use kit for black and white film process.
The kit contains: Paterson tank, two spirals for 35mm, 126, 127, 120 and 220.
For example, you can have two 35mm films in the kit or one 120/220.
The kit also contains: 100mL Adonal developper (anciently Rodinal), 100mL Adofix fixer, 50mL wetting agent, thermometer
The blue filter is used in black and white photography to change the range of light spectrum '"seen" by your film.
It is suited for panchromatic films.
The blue filter lets the blue though, this will darken the green of the greenery and lighten the blue sky. Contrast is strongly increased.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The Paterson Large changing bag allows to load the film in complete dark.
Two holes for arms.
Enough space to bring all you need (Tank, Spirals, scissors, films, ...)
The red filter is used in black and white photography to change the range of light spectrum '"seen" by your film.
It is suited for panchromatic films.
The red filter has stronger effects than the orange filter. It lets the yellow, orange and red through and block the blue. This will strongly darken every blue skies and their shadows. It is suite for landscapes and architecture pictures (especially with brick roofs)
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The orange filter is used in black and white photography to change the range of light spectrum '"seen" by your film.
It is suited for panchromatic films.
The orange filter has stronger effects than the yellow filter. It lets the yellow, orange and red through and block the blue. This will darken every blue skies and their shadows. It is suite for landscapes and architecture pictures (especially with brick roofs).
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The yellow filter is used in black and white photography to change the range of light spectrum '"seen" by your film.
It is suited for orhtochromatic and panchromatic films.
This yellow filter let the yellow through and block the blue. This will darken every blue skies and their shadows. It is also suited for blonde people's portrait.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The Star 4 filter creates a 4 branches star from any light point shot through your camera.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The UV filter is used to block the UV rays and soften the effects of the atmospheric veil.
It is strongly advised to mount it on your lenses since it will protect your front lens and prevent scratches and dust.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
The UV filter is used to block the UV rays and soften the effects of the atmospheric veil.
It is strongly advised to mount it on your lenses since it will protect your front lens and prevent scratches and dust.
To know the size of your filter you need to calculate the internal threading. Be careful the focal length isn't related to your filter size, for instance a 50mm 1.8 can have 49, 52, 55m...
This set of 12 contrast filters for enlargers allows you to enhance or reduce the contrast of your RC or FB multigrade papers.
The filters are sold as seen on the picture: without plastic holders or frames.
The inactinic red light allows you to develop papers or films that are orthochromatic as this light can't affect them, so you could work on it safely.
The inactinic red light allows you to develop papers or films that are orthochromatic as this light can't affect them, so you could work on it safely.
The paterson film squeege allows you to free your negative from water after getting it out of the tank.
This Paterson Tank allows you to process two 35mm films or 1 120 films at the same time.
(Can be used with 127, 127, 220, 620...)
Two reels included.
The CineStill "Color Simplified Quart Kit" C-41 allows you to process negative color films with 2 simple mixtures.
Easy processing up to 24 rolls.
The kit contains:
Color Developer Part A - 8oz concentrate
Color Developer Part 2 - 2oz concentrate
Color Developer Part 3 - 2oz concentrate
Bleach Fix BLIX Part A - 8oz concentrate
Bleach Fix BLIX Part B - 2oz concentrate
Bleach Fix BLIX Part C - 4oz concentrate
STABILIZER/Final Rinse Bath - 2oz concentrate
The Kodak HC-110 is a black and white film developper.
This developper is highly concentrated so you can have short developing times.
The solution is also "clean" so it won't need too much maintenance for the tank and reels.
The Kodak-76 is a universal powder developper for black and white films, a classic from Kodak. Nearly the same as the famous Ilford ID-11.
For a global use, it's often associated to the Kodak Tri-X as it offers great results but still very efficient with most of the black and white film on the market.
The D-76 has a high latitude which allows to take advantage of the film sensitivity and deep work on the grey. The grain is fine and the shadows are detailed.
This developper can be normaly and push processed.
Also available in 3,8L in our eShop.
The Kodak-76 is a universal powder developper for black and white films, a classic from Kodak. Nearly the same as the famous Ilford ID-11.
For a global use, it's often associated to the Kodak Tri-X as it offers great results but still very efficient with most of the black and white film on the market.
The D-76 has a high latitude which allows to take advantage of the film sensitivity and deep work on the grey. The grain is fine and the shadows are detailed.
This developper can be normaly and push processed.
Also available in 1L in our eShop.
The Kodak XTOL is a universal powder developper for black and white films, a classic from Kodak. Nearly the same as the D-76, XTOL considered as the sharpest.
It has acid ascorbic base so more ecologic.
For a global use, it can be used with most of the professional black and white films.
The XTOL has a high latitude which allows to take advantage of the film sensitivity and deep work on the grey. The grain is fine and the shadows are detailed (either in normal or push process).
This developper can be normaly and push processed.
The Tetenal Ultrafin is a universal liquid developper for black and white films.
Easy to use, it allows a large control over the contrast and to take advantage of the film sensibility. The grain is fine.
The dilution goes from 1+10 to 1+30.
This developper can be normaly and push processed.
The Tetenal Lavaquick reduces the time of washing by 50%.
Economic, it doesn't affect the way the film/paper is washed so it's accurate.
Recommended dilution: 1+19
The Kodak T-MAX is a universal liquid developer for black and white films, a classic from Kodak. Designed for all T-MAX films, it can be used with all black and white films.
The T-MAX developper gives great shadows details and is particularly efficient to take advantage of the film sensibility (especially for pushed films).
This developper can be normaly and push processed.
The Tetenal Mirasol 2000 can be used as a wetting agent or a glazing solution.
For black and white films or papers, the Mirasol adds an antistatic and anti-bacterial effect that protects the negative or picture.
Dilution recommended at 1+400 for wetting agent and 1+40 for glazing solution.
The Tetenal Film Cleaner is a neutral spray for cleaning any type of surfaces.
It can remove fingerprints, greasy and adhesive residues on fil negative as well as on metal, plastic, glass...
Better to use with microfiber cloth.
The AP Film Retriever allows you to extract the film from its 35mm cartridge.